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Lady Gaga Returns to the Studio for ‘LG7’: ‘Happy as Ever Making Music’

Lady Gaga Returns to the Studio for ‘LG7’: ‘Happy as Ever Making Music’

Lady Gaga is giving her Little Monsters a small — but very exciting — update on the status of the long-awaited LG7. The singer posted a series of photos from inside the recording studio on Thursday, assuring fans that new music is officially underway.

“Just me in the studio—happy as ever making music,” she wrote. “Feel so grateful, heart is peaceful. It’s like meditation. I can’t wait for you to hear what I’m working on.”


In the photos, Gaga is seen standing and presumably singing behind a microphone. In another shot, she sits at what appears to be the mixing console.

The post received an ecstatic reply from Kesha, who quickly commented, “Feed us, mother!!!!!” Gaga responded with a nod to Kesha’s new single, writing, “Just looking for a joyride .”

Gaga has been slowly testing LG7, which will serve as the follow-up to 2020’s Chromatica. While celebrating her 38th birthday in March, the singer said she has been “writing some of my best music in as long as I can remember” and thanked her fans for their support over the years in an Instagram post. “Thank you thank you thank you for loving me the way you do and for having such a real love for my songs—I’ve been writing pop songs since I was a little girl I can’t believe I still get to do what I love.”

Along with getting back into the studio, Gaga recently announced the revival of her Jazz and Piano show in Las Vegas, where she performs jazz standards and tracks from the Great American songbook. She’s also set to join Fortnite for Fortnite Festival this year. In the years since Chromatica, Gaga has released a few songs, including “Hold My Hand” from Top Gun: Maverick in 2022, and she joined the Rolling Stones for “Sweet Sounds of Heaven” last year. She’s also set to star in Joker: Folie à Deux in October.

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Sabrina Carpenter Is Viscously Clever and Done With Love Triangles on ‘Short N’ Sweet’: 5 Takeaways

Sabrina Carpenter Is Viscously Clever and Done With Love Triangles on ‘Short N’ Sweet’: 5 Takeaways

After Sabrina Carpenter’s summer takeover with “Espresso” and “Please Please Please,” the anticipation for Short n’ Sweet was at an all-time high. On her sixth album, the pop singer keeps the surprises coming as she delivers a masterclass in clever songwriting and hops between R&B and folk-pop with ease. Carpenter writes about the frustration of modern-day romance, all the while cementing herself as a pop classic. Here’s everything we gathered from the new project.

Please Please Please Don’t Underestimate Her Humor

Carpenter gave us a glimpse of her humor on singles “Espresso” and “Please Please Please” — she’s working late because she’s a singer; ceiling fans are a pretty great invention! But no one could have guessed how downright hilarious she is on Short n’ Sweet, delivering sugary quips like “The Lord forgot my gay awakenin’” (“Slim Pickins”) and “How’s the weather in your mother’s basement?” (“Needless to Say”). She’s also adorably nerdy, fretting about grammar (“This boy doesn’t even know/The difference between ‘there,’ ‘their’ and ‘they are!’”) and getting Shakespearian (“Where art thou? Why not uponeth me?”). On “Juno,” she even takes a subject as serious as pregnancy and twists it into a charming pop culture reference for the ages: “If you love me right, then who knows?/I might let you make me Juno.” It’s official: Do not underestimate Ms. Carpenter’s pen. — A.M.

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RFK Jr. Suspends Campaign, Endorses Trump

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Robert F. Kennedy Jr. has suspended his 2024 presidential campaign, and according to a court filing in Pennsylvania on Friday will throw his weight behind former President Donald Trump.

Multiple news outlets reported on Wednesday that independent presidential candidate Robert Kennedy Jr. was planning to drop out of the race and endorse Trump. He clarified at an event in Arizona on Friday that he is not terminating his campaign, only suspending it, and that his name will remain on the ballot in non-battleground states. He said that if enough people still vote for him and Trump and Kamala Harris tie in the Electoral College, he could still wind up in the White House.

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The Chicks’ ‘Not Ready to Make Nice’ Has Somehow Become a MAGA Anthem on TikTok

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One little funny/bizarre/horrifying thing about the internet is the way it offers up everything and, in doing so, makes it possible to strip anything of its history. But to paraphrase Kamala Harris, you didn’t just fall out of the coconut tree. “You exist in the context of all in which you live and what came before you” — wise words worth heeding, especially for all the Trump voters and conservatives making TikToks with the Chicks’ “Not Ready to Make Nice.”

Over the past month or so, “Not Ready to Make Nice” has become an unexpected MAGA anthem of sorts, meant to express a certain rage at liberals supposedly telling conservatives what to do all the time (the past few Supreme Court terms notwithstanding, apparently). Young women especially have taken the song as a way to push back against the possibility of Harris becoming the first female president. 

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Sabrina Carpenter, Myke Towers, Cash Cobain, and All the Songs You Need to Know This Week

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Welcome to our weekly rundown of the best new music — featuring big new singles, key tracks from our favorite albums, and more. This week, Sabrina Carpenter delivers her long-awaited debut Short ‘n Sweet, Myke Towers switches lanes with the help of Peso Pluma, and Cash Cobain moves drill music forward with a crossover hit. Plus, new music from Lainey Wilson, Blink182, and Coldplay.

Sabrina Carpenter, ‘Taste” (YouTube)

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Ahead of the release of One More Time … Part-2, Blink-182 have released two new charging pop-punk songs, “All in My Head” and “No Fun.” The updated album will come out Sept. 6.

On “All in My Head,” Mark Hoppus sings about how hard touring life is staying in “lonely hotel rooms, cum stains on the couch.” But for as gross and sad as that reads, the song itself is pretty fun. Hoppus and Tom DeLonge trade vocals on the chorus: “I’m moving on, I’m better now, I sleep alone,” Hoppus sings, while DeLonge counters about how he’s not giving up despite feeling like he’s not good enough and how it hurts getting up. All that leads to an existential crisis, “I’m freaking out, is it all in my head?”

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