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Joe Alwyn Talks Taylor Swift Breakup for First Time: ‘Hard Thing to Navigate’

Joe Alwyn Talks Taylor Swift Breakup for First Time: ‘Hard Thing to Navigate’

Over a year after Taylor Swift and Joe Alwyn broke up, the British actor talked about the split for the first time in a new interview.

Speaking to the Hollywood Reporter while promoting Kinds of Kindness, the Yorgos Lanthimos  film he co-stars in, Alwyn was asked whether he had listened to The Tortured Poets Department, which features tracks like “So Long, London” that are seemingly inspired by their split. While Alwyn didn’t say if he had heard the LP, he did open up about the breakup.


“I would hope that anyone and everyone can empathize and understand the difficulties that come with the end of a long, loving, fully committed relationship of over six and a half years,” Alwyn said. “That is a hard thing to navigate. What is unusual and abnormal in this situation is that, one week later, it’s suddenly in the public domain and the outside world is able to weigh in.”

Alwyn, who reportedly long sought to protect the couple’s privacy despite the high-profile nature of their relationship, added, “It was never something to commodify, and I see no reason to change that now. Look, this is also a little over a year ago now, and I feel fortunate to be in a really great place in my life — professionally and personally. I feel really good.”

During their nearly seven-year relationship, the pair were not only a couple but also musical collaborators: Alwyn cowrote (under the name William Bowery) “Exile” and “Betty” from Folklore, and “Champagne Problems,” “Coney Island,” and “Evermore” on Evermore. Alwyn also co-produced six songs from Folklore, earning him a Grammy when it won Album of the Year.

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Pierre Lapointe, Grand duke of broken souls

Cotton two-piece by Marni, SSENSE.com / Shirt from personal collection

Photographer Guillaume Boucher / Stylist Florence O. Durand / HMUA: Raphaël Gagnon / Producers: Malik Hinds & Billy Eff / Studio: Allô Studio

Pierre Lapointe, Grand duke of broken souls

Many years ago, while studying theatrical performance at Cégep de Saint-Hyacinthe, Pierre Lapointe was given a peculiar exercise by his teacher. The students were asked to walk from one end of the classroom to the other while observing their peers. Based solely on their gait, posture, and gaze, they had to assign each other certain qualities, a character, or even a profession.

Lapointe remembers being told that there was something princely about him. That was not exactly the term that this young, queer student, freshly emancipated from the Outaouais region and marked by a childhood tinged with near-chronic sadness, would have instinctively chosen for himself. Though he had been unaware of his own regal qualities, he has spent more than 20 years trying to shed this image, one he admits he may have subtly cultivated in his early days.

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