Skip to content
Search

Feid’s Sold-Out, Green-Lit Madison Square Garden Show Proved Why He’s a Reggaeton Superstar

Feid’s Sold-Out, Green-Lit Madison Square Garden  Show Proved Why He’s a Reggaeton Superstar

Just before Colombian superstar Feid took the stage at Madison Square Garden, the audience was crawling with mini-Feids, ready to be taken to their leader. Guys completely dressed the part, donning Feid’s signature white T-shirt, white sunglasses, and backwards cap. Girls, meanwhile, showed up in Nineties-core, channeling the spirit of Feid’s recent projects, which have been inspired by everything from early hip hop to Are You Afraid of the Dark?

So much of Feid’s appeal has been his specific, idiosyncratic personal brand — the uniform, the neon green colors splashed all over his albums — and a sense of humor that follows all his work. It’s helped build him a massive fanbase, primarily Gen-Z reggaeton lovers, fascinated by his easygoing, upbeat sound. The contingent that made it to his sold-out MSG show as part of his Ferxxocalipsis tour lost their minds the second he stepped onstage, standing in a massive green structure that extended out into the crowd. As Feid launched into songs like “Alakran” and “50 Palos,” all from his latest 10-song release Ferxxocalipsis, he raced around the set-up, doing massive laps and singing directly to the crowd.


Throughout much of the night, Feid performed with a gigantic grin plastered on his face, thanking fans and dropping a few of his favorite Colombian slang words-turned-Feid-catchphrases like, “Hey mor.” A band onstage added some edge to the performance; one musician let out Mad Max-style fire blasts from his guitar as the rest of the stage occasionally erupted into flames. But the main vibe was feel-good energy, driven by Feid’s charisma and good-naturedness. At one point, he slipped on a flag that a fan had thrown onstage; somehow the moment barely registered as he laughed it off and kept jumping around the stage.

Toward the middle of the show, Feid started ramping up the surprises: Newcomer Maisak popped out and joined Feid for a few stripped-back acoustic songs, which they performed on a raised platform that soared up toward the ceiling. Later, the audience broke into a seismic roar when reggaeton veteran Yandel dropped by so that he and Feid could perform their recent hit “Brickell,” plus their collaborations “Yandel 150” and “Fecha.” To make the Yandel appearance even better, the Puerto Rican artist decided to throw in a medley of some of his best tracks of all time, including old-school classics from his Wisin Y Yandel days. Fans screamed along to “Rakata” and “Sexy Movimiento” before Yandel left the stage to gigantic applause.

Then, another standout moment happened: Puerto Rico’s breakout rapper Young Miko came onboard to sing two recent smashes with Feid — the Ferxxocalipsis standout “Classy 101” and the slinky collab “offline,” from Miko’s new album att. Just after Miko left, Feid had the audience in the palm of his hands again, and used the energy to close out the show with a blast of excitement, signing off with “Luna” — and reminding everyone why he’s one of Latin music’s most likable stars.



More Stories

Pierre Lapointe, Grand duke of broken souls

Cotton two-piece by Marni, SSENSE.com / Shirt from personal collection

Photographer Guillaume Boucher / Stylist Florence O. Durand / HMUA: Raphaël Gagnon / Producers: Malik Hinds & Billy Eff / Studio: Allô Studio

Pierre Lapointe, Grand duke of broken souls

Many years ago, while studying theatrical performance at Cégep de Saint-Hyacinthe, Pierre Lapointe was given a peculiar exercise by his teacher. The students were asked to walk from one end of the classroom to the other while observing their peers. Based solely on their gait, posture, and gaze, they had to assign each other certain qualities, a character, or even a profession.

Lapointe remembers being told that there was something princely about him. That was not exactly the term that this young, queer student, freshly emancipated from the Outaouais region and marked by a childhood tinged with near-chronic sadness, would have instinctively chosen for himself. Though he had been unaware of his own regal qualities, he has spent more than 20 years trying to shed this image, one he admits he may have subtly cultivated in his early days.

Keep ReadingShow less
On «Abracadabra», Klô Pelgag proves she still has the magic
Photographer: Raphaëlle Sohier/Photo production: Bryan Egan/ Blazer: Tishanna Carnevale/ Skirt : Jade Simard/ Heels: Black Suede Studio/ Jewelry: Marmo & Epiphites/ White blouse: Maison Maire

On «Abracadabra», Klô Pelgag proves she still has the magic

Anyone who has seen Klô Pelgag on stage can attest to her untamable energy, punk spirit, and refreshing spontaneity. "I really enjoy sweating and being out of breath," she says. "Feeling a little drained after a show is the best." The artist, who I met with on a rainy day, is the polar opposite of her onstage persona: today, she’s gentle, thoughtful, and introverted. Her soft, calm voice contrasts with the loud bustle of the crowded restaurant where we’re seated.

These different facets of Chloé Pelletier-Gagnon coexist harmoniously within her. After all, we are all made of paradoxes and multitudes. "Sometimes, I feel more like myself on stage than when I bump into someone I vaguely know at the grocery store and engage in small talk. That’s when I struggle!" she says, laughing.

Keep ReadingShow less
DNC Brings in Higher Ratings Than RNC All Four Nights

DNC Brings in Higher Ratings Than RNC All Four Nights

The numbers are in, and the viewership of the Democratic National Convention blew last month’s Republican National Convention out of the water. 

Early numbers by Nielsen Fast Nationals indicate that the final night of the DNC garnered 26.20 million viewers across 15 networks, compared to night four of the 2024 RNC Night 4 at 25.4 million viewers.

Keep ReadingShow less
Marketer Behind Fake Quotes in ‘Megalopolis’ Trailer Dropped by Lionsgate

Marketer Behind Fake Quotes in ‘Megalopolis’ Trailer Dropped by Lionsgate

Eddie Egan, a very real marketing consultant, lost his gig with Lionsgate this week after the studio discovered that quotes he used in a trailer for Francis Ford Coppola’s Megalopolis were fabricated, according to Variety.

The conceit behind the teaser, which Lionsgate recalled on Wednesday, was that critics had trashed Coppola’s masterpieces throughout the decades, so why trust them? Except that the critics quoted didn’t actually write any of the pith. A quote attributed to Pauline Kael that was said to have run in The New Yorker, claiming The Godfather was “diminished by its artsiness,” never ran.

Keep ReadingShow less